1. Mise-en-scène is French for:
a. panning the camera
around the set
b. composition
c. staging
d. setting
2. Which of the following is not a way that setting is used
in a film:
a. to convey place
b. to convey time
c. to mirror changes
in mood
d. to reveal lighting
3. In preparing for and performing a role, a Method actor
might:
a. research the
background of their character
b. immerse themselves
in the personality of the character
c. create emotion by
thinking of emotional situations from their own past
d. all of the above
4. A director may use a unknown actor so the viewers aren't
distracted by:
a. the Method style
of acting
b. the actor's previous roles
and public lives
c. the director
d. none of the above
5. Which is not a major aspect of mise-en-scène?
a. setting
b. composition
c. the director
d. subjects
6. What are the most fundamental features of mise-en-scène?
a. setting and set
b. costumes and
make-up
c. lighting and set
d. props and set
7. Mise-en-scène involves the history of all of the
following except:
a. painting
b. television
c. costuming
d. it contains all of
the above
8. Which alteration did NOT happened in the early nineteenth
century in regards to mise-en-scène?
a. lighting and
technological advances
b. the audience began
to be more definitively separate from the stage
c. sets and stages grew smaller
d. actors started
gaining star status
9. When did lighting become as easily manipulated as the
sets?
a. late 19th century
b. early 20th century
c. the 1920s
d. the 1930s and
1940s
10. Which of the following is NOT a type of prop?
a. thematic
b. instrumental
c. invented
d. cultural
11.Costumes and make-up function as ___________.
a. character highlights
b. elements of little
importance to mise-en-scène
c. performative
development
d. none of the above
12. A star ___________.
a. never dies in the
film unless he or she is playing someone with an illness.
b. brings accumulated history
from previous performances to the role.
c. is also called a
character actor.
d. all of the above
13. Which of the following is NOT a type of lighting?
a. under lighting
b. low key lighting
c. direction lighting
d. they are all types of
lighting
14. Which of the following describes a movie spectacular?
a. It is a new form
ushered in by IMAX theatres.
b. It concentrates on
the complexity of character, imagistic style, and narrative.
c. The mise-en-scène shares
equal emphasis or outshines the traditional focal points of a movie.
d. It is a type of
filmmaking that dates back to Gone with the Wind.
15.Which of the following constructs ordinary and
commonplace backdrops for the characters and action?
a. theatrical
mise-en-scène
b. quotidian mise-en-scène
c. historical
mise-en-scène
d. holistic
mise-en-scène
16. The first movies ___________.
a. were scenes
b. were sequences
edited simply together
c. did not possess
all the elements of mise-en-scène
d. none of the above
17. The audience's measure of a film's realism is the
authenticity of ___________.
a. the psychology or
action of the character
b. the plot
c. the acting
d. the set and setting
18. What are the elements of mise-en-scène?
a. objects, actors,
make-up, and lights
b. objects, setting,
actors, and make-up
c. objects, actors, costumes,
and lights
d. setting, costumes,
make-up, and lights
19. Which of the following is NOT a type of blocking?
a. naturalistic blocking
b. graphic blocking
c. social blocking
d. all are types of
blocking
20. Which two historical trends are associated with the
tradition of theatrical mise-en-scènes?
a. expressive
mise-en-scène and quotidian mise-en-scène
b. historical
mise-en-scène and naturalistic mise-en-scène
c. historical
mise-en-scène and constructive mise-en-scène
d. expressive mise-en-scène and
constructive mise-en-scène
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