The Film Experience: Preparing Viewers and Views




1. Which of the following are avenues for film distribution?
 a. theatrical release
 b. television release
 c. DVD release
 d. all of the above

2. Advertising a movie as a vehicle for one or more well-known actors uses what is known as:
 a. ancillary products
 b. the star system
 c. repeat viewers
 d. none of the above

3. In the current U.S. ratings system, a rating of "R" means:
 a. persons under the age of seventeen are not admitted
 b. parental guidance is suggested
 c. general audiences
 d. persons under the age of seventeen must be accompanied by an adult

4. In the early twentieth century, short movies were often displayed in small, noisy storefronts called:
 a. drive-ins
 b. nickelodeons
 c. movie palaces
 d. megaplexes

5. Identifying an audience in order to bring a film to its attention is the process of:
 a. production
 b. marketing
 c. distribution
 d. none of the above

6. Identification refers to:
 a. a complex process by which we empathize with characters and actions
 b. the ability to recognize actors
 c. the ability to recognize movie genres
 d. none of the above

7. The specific time a movie is released for public viewing in certain locations is referred to as:
 a. second release
 b. distribution timing
 c. block booking
 d. high concept

8. Word-of-mouth exchanges about movies can take the form of:
 a. fan magazines
 b. promotional Web sites
 c. conversations
 d. all of the above

9. Movies that feature action sequences, big-name movie stars, and advanced special effects are called:
 a. art films
 b. B pictures
 c. blockbusters
 d. none of the above

10. All of these describe a film release strategy EXCEPT:
 a. limited release
 b. saturated release
 c. safe release
 d. platforming

11. A distributor's primary function is:
 a. to oversee the film production process
 b. to acquire rights to a movie and make it available to audiences
 c. to write the screenplay for a film
 d. none of the above

12. All of the following involve technological conditions of movie exhibition EXCEPT:
 a. DVD players
 b. 3-D movies
 c. high concept
 d. drive-in theaters

13. Film exhibition as leisure time assumes:
 a. that movies are a means of acquiring information and knowledge
 b. that movies are an enjoyment associated with play and pleasure
 c. that movies should be seen in a classroom
 d. none of the above

14. Bringing a film to the attention of a potential audience using television, billboards, film trailers, and print ads is known as:
 a. textual novelty
 b. an ancillary product
 c. advertising
 d. cultural promotion

15. A preview of a few scenes from a film shown in a theater before the main attraction is called a:
 a. theatrical trailer
 b. blockbuster
 c. picture
 d. none of the above

16. Platforming is a film release strategy that:
 a. releases a movie on as many screens as possible immediately
 b. only allows a theater to show a popular film if it also shows a less popular film from the same studio or distributor
 c. releases a film in gradually widening markets to allow it to slowly build its reputation based on reviews and word of mouth
 d. releases a movie only to select major cities

17. The process whereby we judge and approve of movies according to the values of our particular age group, cultural background, or some other social determinant is called:
 a. textual novelty
 b. sociology of taste
 c. rating systems
 d. none of the above

18. Movies are typically distributed with an eye towards reaching specific _________, which are composed of viewers who would most likely want to see a particular film.
 a. target audiences
 b. theaters
 c. cities
 d. none of the above

19. The pan-and-scan process is a process for:
 a. greater realism
 b. allowing the film image to fit the television format
 c. the timing of exhibition
 d. none of the above

20. Film production refers to:
 a. the advertising of a movie
 b. the industrial stages that contribute to the construction of a finished movie
 c. making a movie available to theaters or networks for audiences to view
 d. academic or artistic accounts that discuss and value certain films




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